Under the reality of our environment, where much of the city landscape is made up of construction sites, it is interesting to look at the final installation of artist Rachel Whiteread.

Currently on exhibition at the Tate Modern museum, is the organization's 14,000 white cubes stacked in various ways. The cubes were first removed from the plaster molds inside cardboard boxes. The idea was to create traces of interior space, positive space negative molds. To maintain the condition of the containers artist reproduced in plaster molds polyethylene translucent to give a greater sense of interior.

The interesting thing this book lies in its proposed anti-monuments, collapsed in becoming a landscape. The disintegration of the pieces like a piece during its installation process. This analogy can add to the footprint of human intervention, to have the boxes in neat piles in apparent chaos. Well, all these features, they begin to resemble this facility as we see in the city today, a spatial analogy to the occupation and the presence of masses in the interior. In addition to bringing awareness to an intermediate position between the project and finished work, which is certainly tense up our environment, landscape and why not, in the city.